安德鲁·马尔(Andrew Marr)从他获奖的《现代英国史》(History of Modern Britain)一书中，将我们带回了20世纪上半叶，这是英国历史上最生动、变化最迅速、最令人兴奋的时期之一。他重温了爱德华时代的戏剧，20年代和30年代的疯狂过山车，以及两场毁灭性的世界大战的国家大事。 　　从维多利亚女王的死到从敦刻尔克撤退;从大罢工到电缆街之战;从查理·卓别林到劳斯莱斯;从音乐大厅到D-Day，安德鲁·马尔带我们参观了这个迷人的时代，现代英国正在蓬勃发展。（有道翻译）

安德鲁·马尔(Andrew Marr)从他获奖的《现代英国史》(History of Modern Britain)一书中，将我们带回了20世纪上半叶，这是英国历史上最生动、变化最迅速、最令人兴奋的时期之一。他重温了爱德华时代的戏剧，20年代和30年代的疯狂过山车，以及两场毁灭性的世界大战的国家大事。 　　从维多利亚女王的死到从敦刻尔克撤退;从大罢工到电缆街之战;从查理·卓别林到劳斯莱斯;从音乐大厅到D-Day，安德鲁·马尔带我们参观了这个迷人的时代，现代英国正在蓬勃发展。（有道翻译）

Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, it's symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).

Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, it's symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).

沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

Afghanistan 2014. While troops are on the verge of withdrawal, Captain Antarès Bonassieu and his section are assigned a control and surveillance mission in a remote valley of the Wakhan, on the Pakistan border. Despite their determination, Antarès and his men gradually lose control of what is supposedly a calm sector. Then one September night, soldiers in the valley mysteriously disappear.

阿富汗2014。当部队即将撤离时，Antarès Bonassieu上尉和他的部队被指派在巴基斯坦边境的Wakhan偏远山谷执行控制和监视任务。尽管他们下定决心，但安塔利斯和他的手下逐渐失去了对本应平静的地区的控制。九月的一个晚上，山谷里的士兵神秘地消失了。

极端环境记录。